Canadian Magazine Industry News
25 June 2012, TORONTO
The Grid's two-faced magazine cover
Dude, where's my car?
Well, if you tilt the cover on the latest issue of The Grid (June 21-27), the car appears: the 2013 Subaru BRZ.
The Grid collaborated with Subaru on the cover, resulting in a lenticular image that alternates from the Subaru photo to a 'Dude, where's my pension plan?' coverline.
The animated image (which is printed by Lowe-Martin Group and designed by DDB Canada) is pasted on the front, with Grid's logo underneath (presumably just in case the cover ad is removed).
The Subaru ad also runs on the inside front adjacent to a standard editorial cover.
While effectively grabbing the attention of passers-by, "lenticular covers won't be a regular thing because they're enormously expensive to execute," noted Laas Turnbull, publisher and editor-in-chief of The Grid, a free city magazine owned by the Toronto Star.
That being said, "I’ve never seen an ad elicit so much attention," added Turnbull, noting it's a popular topic in the Twitterverse and other advertisers have called inquiring about lenticular pricing.
Well, if you tilt the cover on the latest issue of The Grid (June 21-27), the car appears: the 2013 Subaru BRZ.
The Grid collaborated with Subaru on the cover, resulting in a lenticular image that alternates from the Subaru photo to a 'Dude, where's my pension plan?' coverline.
The animated image (which is printed by Lowe-Martin Group and designed by DDB Canada) is pasted on the front, with Grid's logo underneath (presumably just in case the cover ad is removed).
The Subaru ad also runs on the inside front adjacent to a standard editorial cover.
While effectively grabbing the attention of passers-by, "lenticular covers won't be a regular thing because they're enormously expensive to execute," noted Laas Turnbull, publisher and editor-in-chief of The Grid, a free city magazine owned by the Toronto Star.
That being said, "I’ve never seen an ad elicit so much attention," added Turnbull, noting it's a popular topic in the Twitterverse and other advertisers have called inquiring about lenticular pricing.
— Jeff Hayward
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@Jeff — Even if not a review, short commentary can bring much light to the gist of a story to be told. Even captions can say more than 30,000 essays. I was surprised to see the lack of insight here.
Thank you for your review of The Grid's lenticular cover. Many of my friends were wondering about the printing process, and as a designer, I was curious about the creators of the print.
That said, there is so much missing in the review, I don't know where to begin. For the sake of brevity, I'll only share this:
The Grid lenticular cover is an interesting look at the socio-economic reality of many young Torontonians and of the role The Grid plays in society: advertising first despite the interests of its readers.
The article "Dude, Where's My Pension Plan?" is about young people who are experienced and educated who struggle to enter the workforce in a stable way. This is the main argument of the piece, and they compare "Millenials" to their parents, the "Baby Boomers". There will always be anomalies ("my lazy brother" this or "my entitled daughter" that) but by and large, the 28-35 set is facing a labour market much more restricted than 10 years ago, let alone 30 years ago. To boot, wages have staggered across Canada, student loans are more numerous and students debts are way, way up relative to minimum wage and average full-time income. In addition, and according to Statistics Canada, borrowers "have a significantly lower probability of having savings and investments than non-borrowers." In short. young Torontonians are experiencing economic precarity.
What does the added value of a Subaru-driven lenticular mean? In relation to the cover story? That despite writing relatively sympathetically about the financial plight of young Torontonians (its own readers), The Grid is more committed to advertisers than meets the eye. An article about economic precarity mixed with expensive lenticular printing is quite unsettling.
This weekend, there were 20-odd people in my backyard and The Grid cover started a heated debate. My guests were between the ages of 25 and 35 and a show of hands proved only 4 still had full-time jobs. 12 had full-time jobs previously; but 1 quite and 11 were "restructured" or downgraded to part-time. 1 was back living with parents after 6 years of successful freelance ran dry. Another was living off savings and credit card debt. There were many disagreements, but the one thing everyone agreed was: The Grid has come across as an advertising platform first, rather than an editorial platform supported by ads. We are all adults and recognize ad-supported revenue, but when one trumps the other in such an over tway, the entire publication's credibility suffers.
Jeff, thanks again for your review. I only wish next time the story can be a little more robust.
Cheers,
Toronto Designer